Ten Plus One of my Favorite Films (Part 1)

Posted on March 22, 2011 by John Walters

I know, I know:  favorites lists are supposed to be of even numbers; eleven is odd.  Unfortunately, eleven films demanded to be on the list, not more, not less.  I suppose I could come up with a couple of dozen were I to give it sufficient thought, but this is how it is for now.  I realize that such a list is idiosyncratic; your list might not contain any of these films.  And I am not judging these films according to their inherent worth from a technical or critical point of view.  I am including them because they mean something to me personally, and they affected me in a personal way.

I love films, and I have loved them from an early age.  I used to watch many more than I have time to watch now, but even now I try to fit in one or two every weekend.  From the beginning, even before I knew I wanted to be a writer, as I watched I analyzed the plot and the characters and tried to imitate the style in my play.  For a time one of my brothers and I used to keep a notebook in which to rate each film that we watched with numbers of stars; back then we specialized in horror and science fiction films.  Later, as an adult out on the road, I always tried to catch a film now and then whenever I could.  As a result, I have watched movies in theaters in many countries:  Greece, of course, but also exotic places like Turkey, Iran, India, Bangladesh, Malaysia, and other countries too numerous to name.

I am faced with the dilemma of in which order to present these films.  I can’t really do it in order of preference; I think I will present the early ones first, and then the more recent.

And so, without more ado or preamble, here is the list:

1.  “Doctor Zhivago”.  This was my first great film love.  It was enthralling from the moment the splendid musical overture filled the theater.  The cinematography, acting, sweeping epic story, directing, and so on were all first rate.  When it came out I saw it at least four times at the cinema, and then when it began to appear on TV I always made sure I watched it again – and again and again.  At the Academy Awards it won five Oscars but I was dumbfounded that it lost Best Picture.  Even now it’s hard to beat as a grand historical epic love story.

2.  “Butch Cassidy and the Sundance Kid”.  This took over my primary affection (film-wise) when I was a teen.  I enjoyed the banter, the flippant disregard for danger, the comradery of the main characters, but also the perfect cadence of the script and the affinity of the actors and actress.  I watched this one nine times at the cinema and could have watched it more.  Several years ago I purchased a two-disc DVD, and I am still enthralled with this humorous, action-packed, one-of-a-kind western.

3.  “Star Wars“.  By this I mean the original Star Wars trilogy which includes “A New Hope”, “The Empire Strikes Back”, and “The Return of the Jedi”.  I returned from India for a visit home in the late 70s and I must have been one of the few souls in the universe ignorant of the existence of Star Wars.  Or, if I had heard of it in passing, it didn’t register as anything significant.  So when my mother offered to take me to “A New Hope” I had no idea what I was in for.  I had a marvelous time.  I can’t describe how much fun it was; the film was adventurous and spectacular and full of great courage and honor.  It was one of my most memorable cinematic experiences, not only for the movie itself but for the companionship of my mother and appreciation for her insight in sensing that I would enjoy it.  At my next visit home from India, coincidentally, “The Empire Strikes Back” had just come out, and she took me to that one.  By that time her cancer was already diagnosed and she was undergoing treatment.  This was one of the last special activities we did together, and as such is precious in my memory.  As for the film itself, it was darker than the first, resplendent with alien imagery, and with that dynamic ending when Darth Vader reveals himself as Luke’s father.  I had to wait until years later to watch “The Return of the Jedi”.  Someone got a hold of a pirate copy in Bangladesh but the sound and picture both were so bad that it was unwatchable.  I don’t think I saw a decent DVD of it until a year or two after my family and I had moved to Greece.  Anyway, I greatly enjoyed “The Return of the Jedi” as well, with its extreme alien grotesqueries and its ending with complex battles on many fronts and the ultimate defeat of the evil emperor.  A terrific iconic trilogy.

4.  “Gandhi”.  I first saw “Gandhi” while I was living in India, and it resonated with me not only for its accuracy in depicting the Indian experience, but for the obvious love and care the filmmaker (Richard Attenborough) had invested in the project.  Personally I feel that Gandhi is idealized in the film, but that doesn’t detract from the ambition and scope of the project, and the fact that it is still one of the best historical films ever made.  Every little detail is fascinating to me, having lived so long in the Indian experience myself, but more than that:  though I don’t agree with all that Gandhi believed in or espoused, I respect him as a man of integrity with the courage to stand up for his convictions and try to change the world, or at least his part of the world.

5.  “Parenthood”.  My wife and I agree on this one:  it’s our all time favorite comedy.  Some might find some of the situations exaggerated, but as the parents of five sons we have been through situations that have been at least as or even more extreme.  Whenever we are getting weary in well-doing as parents we tell each other that it’s time to watch “Parenthood” again; it always gives us a boost.  Because as traumatic as it gets, in the end the film still extols the fulfillment and value of being a parent.  We watch it at least once a year; sometimes more.  I recommend this one to any parent who sometimes wonders if it’s worth it all.  Take it from me, it is.

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Greece: A Memoir; Part 2: First Contact

Posted on March 19, 2011 by John Walters

(This is an excerpt of a memoir-in-progress of my life in Greece.)

I first entered Greece in the summer of 1976.  It was the culmination of a grand hitchhiking arc I had made through Belgium, Holland, Germany, Austria, and Yugoslavia.  I was a young writer with very little cash in pocket looking for life experience.  Still in the initial bursting joy of having liberated myself from the US and the rut in which I had been stuck, I was living one day at a time and making decisions moment to moment, with no itinerary and no ultimate physical goal.  My goal, if truth be told, was to set myself free as a writer.  I was emulating my literary idols:  Jack London, Jack Kerouac, Henry Miller, and so on.  I wanted to experience life robustly, and though I didn’t really know how, I wanted to learn.  I figured the only way was to get out there and do it.

So, as I say, I entered Greece with no real idea of where I would go and what I would do.  I had heard that the Greek people were hospitable, and, almost as a sign, on the side of one of the first roads I was let off at, an old man came out of nowhere and offered me a piece of fruit, smiled, and walked off.  I think it was a peach; peaches would have been in season then.  But the magnanimity of the gesture overwhelmed me.  Imagine:  to approach a total stranger and show such benevolence!  It was a very auspicious incident; it boded well for the future, I thought.

At that moment I felt at peace with myself and the world, standing there by the roadside, the trees shading me from the hot sun, the splendid deep blue sky a glimpse of eternity.

I was quickly disillusioned.

Nobody would stop for me.  As friendly as that old Greek farmer had been, the Greek drivers passing me did not share his openheartedness.  Driver after driver passed without so much as a glance in my direction.  It was if I did not exist.  Hitchhiking as a means of transport obviously was not an accepted part of their culture.  Hour after hour I stood there, incredulous, getting more and more miffed.  It didn’t synch with what had just happened with the farmer.  I had thought that Greece was greeting me with open arms; instead, I was getting the brush-off.  I didn’t realize at that point that Greeks are very complex and contradictory people, just like most people in point of fact, and they cannot be easily stereotyped or pigeonholed.

So there I stood for hours and hours.  At least the sun was warm and there was some shade, but I realized as I stood there that I was not entering some idyllic paradise but a country of the world and, just like any country, it would have its idiosyncrasies both positive and negative.

Finally, of course, I did get a ride.  It was with a Greek truck driver, and I would soon learn that apart from foreigners the truckers were almost the only people who would stop for hitchhikers on those roads.  I don’t know why they were the exception, as I couldn’t provide much company; they invariably spoke no English, and the few words of Greek I could manage to spit out were hideously mispronounced.  I suppose a silent companion is better than no companion, and they would often treat me to meals and bid me farewell like an old friend at our parting.

As I traveled I would stop and sleep wherever I could throw my sleeping bag.  One night in Greece I remember being directed to the concrete shell of an unfinished house near the edge of a village; I didn’t get much sleep there because mosquitoes plagued me relentlessly.

But I got by all right as I journeyed deeper and deeper into the country.

My first lengthy pause was at a beach near Volos, which is a city on the east coast about halfway between Thessaloniki and Athens.  It’s an attractive port city, not large enough to be oppressive.

As I remember I was in a bank checking on some money I was expecting; it hadn’t arrived, and I learned that it had been sent instead to Athens.  Because I was almost broke I decided to head for Athens as quickly as I could, but then I ran into a couple of Norwegian girls, one a tall buxom brunette, the other a petite blonde.  They told me they were on their way to a beautiful isolated beach up the coast, and they invited me to join them.  When I explained my financial situation they offered to pay for everything and in Athens I could pay them back.

Fine by me.

So we set out together, the Norwegian girls and I, they with their backpacks and I with the olive-green duffle bag I carried with me on my travels; we also had a supply of food to last us through a few days of isolation.  I don’t remember if we went by bus or taxi, but we ended up at an uncrowded beach, but the girls weren’t satisfied with that.  They wanted to find a pristine place unspoiled by tourists, so we hiked north up the coast until we found a beautiful cove with clear blue-green water and soft white sand, and that’s where we camped out for three nights.  In the heat of the day we would swim and sunbathe, and in the warm moon-lit night we would go skinny-dipping and then return to the shore to make out.  It was an idyllic interlude, one of those rare times when there is no stress, no hurry, nowhere to go and nothing to do that you don’t want to do.  It might have happened somewhere else I suppose, and I’m sure it has to other people, but because it happened to me in Greece it imbued Greece with a special magical aura that I carried with me for the next few weeks of my journey, almost until the end of this, my first stay.

When it came time to leave the girls accompanied me to Athens as we had agreed.  My pitiful little amount of money was there waiting at the bank, but when I offered the girls my share of the expenses they refused to take it.  They said it was their treat, kissed me goodbye, and went on their way.

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Book Review: Inventing Paradise: The Greek Journey 1937-47 by Edmund Keeley

Posted on March 15, 2011 by John Walters

Just before World War 2 a number of writers and poets came together in friendship in Greece and formed a group which included Henry Miller, Lawrence Durrell, George Seferis, George Katsimbalis, and other Greek literary figures.  Henry Miller writes about this “little band of friends” in his book on his Greek experience, “The Colossus of Maroussi”, and the others also wrote about it in various memoirs, journals, poems, and so on.  It was a grand, robust literary environment, and all of them reveled in it – but it was not to last.

The first part of this book describes how the various members of the group came to be involved and what their literary reactions were to the Greek pre-war experience.  It quotes extensively from prose and poetry in which each of them creates an idyllic Greece according to their own personalities, experiences, and backgrounds, a picture of Greece which has had a great influence on how many people see the country today.

But then, in the second part, the book takes on a very dark aspect, as the group is shattered by the onslaught of World War 2 and the Nazi invasion of Greece.  It follows each individual in their struggle not only for survival but for artistic expression of the devastation all around them.  This, in fact, is where the book really came alive for me and became more than just interesting.  For it is one thing to revel in a pseudo-paradise, part real and part a making of the imagination, but it is another to have that image shattered and confront the ugly brutal reality that remains.  It describes one poet trying to survive and save lives as a doctor in the Greek army, another performing acts of rebellion in the face of the German conquerors, another’s broken-hearted trauma as he sees his country being torn apart by its conquerors but is compelled to follow the Greek government into exile, Lawrence Durrell in exile in Egypt attached to the British government, and Henry Miller deported to the States and unable to maintain regular communication with the friends he had to leave behind.

Finally, in the third part, it describes what happened to each of them afterwards, at the end of World War 2 and during the Greek civil war which immediately followed.

What makes this book unique is its approach to the subject from a literary point of view.  As I said, throughout each of the chapters there are snippets of prose and poetry which the writers composed about what they were going through.  It’s a look not only into the events themselves but the souls of those who went through the events.  It’s tragic and triumphant at the same time as we see the hell of the war experience afterwards transformed into art.  Not that the book at all postulates that such human tragedy is worth it for the sake of the art that follows; not at all.  But rather it shows how art can help to overcome trauma and tragedy, both for the artists themselves and for their readers.

I recommend this book on several levels.  Firstly, from a historical point of view, it offers a unique perspective on Greece before, during, and after the Second World War.  In addition, it delves into the lives and struggles of major literary figures – George Seferis, for example, was later awarded the Nobel prize for literature.  And finally, it exemplifies how works of art in poetry and prose can transcend tragedy both for those who go through it and for future generations.

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Treasure Hunt: Searching For Books in Thessaloniki

Posted on March 10, 2011 by John Walters

I’m a bookaholic.  I gotta have my books.  I can’t stand being without books.  And when I say books I mean the paper kind with binding and covers and so on.  I did, to be honest, at my wife’s prompting, look into getting a Kindle, but when I did a little research I got completely discouraged about it.  First of all, Kindles are much more expensive here in Greece, either to buy here or order; okay, I can get around that by having one of my sons buy one in the States and bring it here.  But then the troubles begin.  Everything I download has taxes added onto it so the price of e-books multiply out of control, sometimes to two or three times what they would cost if downloaded in the States.  I can’t leave the country every time I want a new book.  In addition, the e-book store available here in Greece is at least a third smaller than the one in the States.  There’s no way around that without leaving the country either.

So, forget the Kindle.  I don’t care that much anyway.  I like to hold a book in my hand; whenever I do I feel I am embarking on an adventure.  Maybe I’d get used to doing it the electronic way and I’d have the same sensation in time, but for the reasons above that’s not feasible now; so there it is:  I need paper books.

But where to get them?  Obvious first choice:  a book store.  Oops, no.  Not here.  There are English books available in a few bookstores here, but even the best one has a very limited selection:  one shelf of just a few hundred books.  They used to have some of the Science Fiction Masterwork series, but once those sold out they never got replaced.  Now the pickings are slim indeed.  I have been there twice recently.  I went the second time because I thought surely I must have missed something good the first.  But no.  I couldn’t find a thing I wanted to read.  Sigh.

Where else can I look?  Libraries might be the logical next choice.  Well, there are very few English libraries in Thessaloniki.  The British Council library closed down and was absorbed by a local college.  They charge an exorbitant price to use the few yellowed old British novels on the meager shelves.  Definitely not worth it.  Fortunately, years ago one of my sons won a scholarship to an elite private high school here, one of the best in Greece.  They have a library – two, in fact – one for the high school and one for the associated college, and the libraries are primarily in English.  They are tiny by US standards but they are a (literary) lifesaver.  I go there frequently, and whenever I am searching for books on my computer I do searches in their catalog, which is online.  I believe I am one of their best customers.

But, as I said, the library’s resources are limited.  It’s budget has been cut recently, and a lot of what I want to read is unavailable, especially new books, that is, whatever has come out in the last few years.  So where to find these books?

Online, of course.  Whatever I can’t find locally I order from Amazon.com.  When I can I order from the UK branch, because the postage is cheaper and, as a matter of fact, they have just initiated free super saver shipping to Greece.  But its catalog is much smaller, and so sometimes I must order from US Amazon.  The problem is, the postage is often about two or three times the cost of the book.  To get around this, I often order several books and have them sent to one of my sons if I know he is coming for a visit, and he couriers them to me.  If I’m in a hurry, I pay the postage.  It depends on my reading schedule.

I am always reading something.  I can’t stand finishing a book and not having the next book right there ready to go.  I suppose you would say I’m a chain-reader:  I light one off the smoldering remains of the other.  But then, to be ready, I have to plan ahead.  I try to know what I am going to read several books ahead so I can arrange to get them.  Usually, because there is so much I want to read in so many fields, I alternate reading fiction and nonfiction books.  Sometimes if I am contemplating, or have already begun, a piece of writing for which I will need to do research, I plan my reading accordingly.  For example, last year I wrote a novel set in the hippy era of the late sixties.  To prepare I read a book on the history of the Haight/Ashbury scene, another on communes in the 60s, and so on.  But I planned the reading ahead so that by the time I was ready to write about it I had already done the research without having to stop the writing itself.

Because I like to plan my reading ahead I do considerable research.  I search lists of all-time favorite books, lists of award winners, lists of recommended books in my special fields of interest, bibliographies in the backs of other books, reviews, blogs, recommendations from writers I trust, and so on – whatever I can that will help me find things I might not have heard of.  When I do come across mention of a book I think I might find interesting I look it up in Wikipedia, I read the Amazon reviews, I search for other reviews.  All of this may seem time-consuming, but it takes less time than reading a book only to be disappointed.  Besides, I enjoy it.  For me, a search for new reading material is like a treasure hunt.  As I said:  I love books.  Whenever a deed is done in love it is always a pleasure.

I might still get that electronic reading device someday, but I don’t know.  I like the paper books.  I like building a library.  I like watching those shelves fill up, knowing that my sons can come whenever they want and find treasures thereon.  That’s the thing:  it’s not just the paper.  It’s almost like filling the shelves with currency and gold and jewels.  Only better.

I’m a professional writer; I make my living by my words.  I’m happy to share these essays with you, but at the same time, financial support makes the words possible.  If you’d like to become a patron of the arts and support my work, buy a few of my available books or available stories.  Thanks!

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Greece: A Memoir; Part 1: Introduction

Posted on March 7, 2011 by John Walters

(This is an excerpt of a memoir-in-progress of my life in Greece.)

For years I have had a fantasy of getting hold of a camper somehow and traveling around Greece and writing about the experience.  In my mind it was always tied to some sort of mythical affluence – you know, the kind we always have in the not-too-distant future whenever we are daydreaming.  I would do the job right, not missing any of the important locations, staying at campgrounds long enough to take in the sights and absorb the local atmosphere and write it all down.  In this fantasy sometimes I traveled alone and sometimes I had company, but that was not the important thing.  What was important that my muse directed my path, and I had enough leisure time and wealth to let it do so.

Recently I woke up.  It didn’t take a slap in the face; it just occurred to me that such a trip was unnecessary.  I have already lived in Greece for over fifteen years.  I have lived in both Athens and Thessaloniki and in a small village in Halkidiki.  I have hitchhiked over many of its roads, and I have traveled by camper over many of them too.  I have journeyed by plane, boat, car, taxi, on foot and on the backs of motorcycles.  I don’t have to do all of that again.  It would be nice to, of course, but all I really have to do is remember and write about it.  And when I get down to it, I don’t really want to write a travelogue anyway.  What Greece is to me is not what it is to you or to anyone else.  Experience is shaped and filtered through individual minds and hearts, so that by the time it comes out it is flavored with unique personality.

This is my impression of Greece.  Hope you like it.

Currently I live with my Greek wife and two of my five sons in a village in the hills east of Thessaloniki.  From the hill on which we live you can see the white arc of the city spread around the dark waters of the Thermaic Gulf.  We live in a residential area between two villages; in a sense it is a suburb of Thessaloniki.  A few years ago there was a housing boom and it looked like the city would spread right up into the hills, but then Greece’s economy crashed and the villages are riddled with fully- and half-constructed housing that nobody can afford to buy.  By car or by bus the city can be reached in about twenty minutes; nevertheless it is far enough away for us to avoid the confusion, noise, and smog.  Our village is quiet, peaceful, clean, and orderly.

But stunning though the view is of Thessaloniki and the bay, it is not the most awe-inspiring view in the area.  If you walk or drive up over the top of the hill and look down the other side, you can see across the Gulf to majestic Mount Olympus.  On a clear day when the sky is deep blue and the cobalt-blue waters of the Gulf are still, the sight of the home of the gods is stunning, breathtaking, uplifting, whether it is summer and the craggy summit is stark brown, or winter and it is covered in blinding white snow.  The green hills that drop down to the waters of the Gulf are speckled with houses, and I have often wished I could live on that side so every day I could observe the mountain and its changes; but that is beyond our means just now.  Instead I can relish the sight every time I drive by, which is often.  I just have to be careful I don’t get too enthralled and go off the road.

Just a twenty-minute drive to the east are beautiful sandy beaches; in the summer the sea water is bath-warm.  An hour or so of driving to the southwest takes you to a mountainous area where there are ski resorts and hiking trails.

Well, it all sounds idyllic but honestly I don’t intend this as some sort of travel brochure.  Living here has its ups and downs, its pros and cons, just like living anywhere else.  Greeks can be generous and magnanimous and hospitable, but they can also be narrow-minded and bull-headed and petty.  My kids have benefited greatly from being brought up in a bilingual and bicultural environment, being taught in Greek at school but having an English-speaking home life, but they have all received intense bullying at schools due to anti-American sentiments.  I mentioned the financial crash earlier; it has hit us hard, as it has most Greek families.  Nevertheless, we have managed to carve out a life here, and generally, though always hand-to-mouth in economic terms in spite of the fact that my wife and I both have full-time jobs, it is a good life.

Before I ever visited, two literary experiences colored my impression of Greece.

The first was “Zorba the Greek” by Nikos Kazantzakis.  As I recall I came across the book even before I saw the movie.  I enjoyed the film, but it was the book that was the illuminating experience for me.  I read it over and over in the days after my new birth as a writer.  I was like the narrator, of course, the timid writer who was terrified of stepping out and experiencing life.  I wanted to but I was afraid.  I had no Zorba figure to urge me on, to poke and prod in the spirit and encourage me by example, but the Zorba in the book, among other literary influences, filled that role for me.  I knew I had to bust out of my rut and dance the dance of life, and this book helped me to do that.  I don’t think I was ever naive enough to think that Zorba represented all Greeks; even in the book he is presented as an anomaly.  But he gave me an ideal picture of how I imagined Greeks should be, most of which, in retrospect, was unrealistic.

The second and even greater influence was “The Colossus of Maroussi” by Henry Miller.  Shortly before I set out on the road I discovered Henry Miller, and became enthralled with his work.  After devouring “Tropic of Cancer”, “Tropic of Capricorn”, and “Black Spring”, I came across this memoir of his time in Greece after leaving Paris just at the start of World War II.  He paints an idyllic picture of Greece; it seems to have saved and resuscitated and invigorated him.  His experiences are blown up into grand mythic proportions, and the Greeks he meets, most of whom were the literary lights of the era, are presented as far greater than mere mortals.  It’s a robust, full-throated, energetic, invigorating song of praise.  Greece isn’t like that for most people.  For one thing, we don’t hang out with people of such stature as Nobel-prize winning poets; to be honest I have no access to literary circles in Greece at all, and I am unaware of the current state of the arts.  Miller approached Greece from a privileged position; he was initially invited to Corfu by Lawrence Durell, and was wined and dined regally as he traveled from place to place.  Nevertheless, he gives that unique Milleresque twist to his impressions of Greece.  Nobody writes like Henry Miller, and there are portions of “The Colossus of Maroussi” that are unsurpassed in pure descriptive brilliance.  As a writer I learned a lot from Miller, mainly that the writing and the man are inseparable, that one’s life is a base component of one’s work.  And Greece definitely changed Miller’s life, and I think that as I approached it for the first time I had the feeling that it might change mine as well.

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Adventures in Wonderland: The Inestimable Value of Libraries

Posted on March 4, 2011 by John Walters

This post came about after reading a comment on another blog by a well-intentioned writer, who said that libraries sap income from a writer and are therefore counterproductive.  I disagree.

What are libraries for anyway?  They serve many purposes; for example, they are a path of education for the poor.  They enable those who cannot afford to buy all the books they need to have access to them.  They allow students and other researchers to browse through a multitude of volumes for information.  Look at some of the bibliographies in university thesis papers or works of nonfiction:  can you imagine having to buy all those books, some of which may have been only necessary for a paragraph or two?

But libraries are much more than that.  Libraries are mystical portals to other worlds.

I was very young when I got my first library card, and very soon afterwards the weekly or biweekly trip to the library to browse around and then come home with a stack of books was one of the highlights of my life.  I looked forward to it much more than, for example, going to the cinema from time to time.  I was a voracious reader; my family never could have afforded to buy all those books.  So should I have been deprived?  Should only the wealthy have access to reading material?  The education I got from those trips to the library was at least as important as the education I got at school, and now that I think about it, probably much more.  At the library I could choose what I wanted; my mind could roam whithersoever it would.  I read all sorts of books that the school would never have assigned.  A very special feeling always came over me whenever I entered the library.  I never knew what I might find.

After my catastrophic first year at university, when I discovered writing and science fiction, I found that the library I frequented had copies of all the Nebula award volumes that had come out until then.  What better education could I have hoped for than to read the works of the masters?  By then I had moved out of my parents house and was on my own, and could even less afford to buy books.  But I needed those books; I needed to immerse myself in them.

What goes around comes around though, and later when I could afford to I bought books by those great writers I had read in my leaner years; in some cases I bought everything I could find of their writings.  But there was a time when I never would have read anything by them at all if I had not been introduced to their work at the local library.

I still go to the library.  I buy a lot of books, but my appetite is still voracious and my family still struggles financially and so I still supplement what I buy with trips to the library at a local Greek/American high school, one of the few English language libraries here in Thessaloniki.  I am very thankful for that library.

In conclusion, I guess the point is that it’s not all about the money.  It’s about readers.  It’s about communication.  It’s about realizing that there other others out there like I was(and am) – hungry to absorb knowledge but unable to afford to buy it.  I empathize with those readers, and I would be honored if my books someday find their way into libraries, financial remuneration or no.

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Book Review: Never Let Me Go by Kazuo Ishiguro

Posted on March 1, 2011 by John Walters

There are clues hidden in the first few paragraphs of this novel as to what will follow, but they are cryptic, understandable only in hindsight after you have made it almost to the end.  Therefore, to me at least, the beginning is so slow that I almost put it down, and I almost never put a book down once I have started it.  That said, I persevered, and I’m glad I did.  After about seventy or eighty pages it got thoroughly absorbing and hard to stop reading.

It’s a quiet little horror story, a science fiction story actually, although it is not marketed as such.  That’s the advantage of being primarily known as a literary author – and Ishiguro certainly is, having won the Booker Prize for his earlier novel, “The Remains of the Day”.  But science fiction it is.  However, it is a slow burn, and the science fictional premise of raising cloned kids to harvest their organs for transplants though, as I said, alluded to in the first few paragraphs, is introduced in depth slowly and subtly as the characters live out their short sad little lives.

I suppose I’ve committed the indiscretion of revealing too much of the plot to you, but there are two reasons for doing so.  First of all, the main point of the story is not a buildup to reveal (surprise, surprise) that the kids are clones and will be cut up for the sake of others.  It is to delve deeply into the lives of the three main characters, to show what it would be like to be human but to be put into a position like that where you are treated as less than human and disposable.  Analogies to reality and our present timeline and recent history resonate throughout, though the story is presented as a sort of alternate history in which these programs were begun shortly after the second world war.  Secondly, the book has been made into a well-received film, and many will already be familiar with the plot.  Personally, I haven’t seen the movie; to my knowledge it never made it here to Greece.  I’m waiting now for the DVD to hit the shops.  I’m glad, actually, that I read the book first, as I might have thought, if I had first seen the film, that it was not worth it to take the time to read the book as well.

I would have been wrong.  The book is excellent.  The only fault I find is the slow start, which bordered on boring but in hindsight was necessary to build up to all that follows.

I highly recommend the book.  I have been contemplating writing something on the fact that science fiction and fantasy editors, as a rule, demand that a story start and build quickly, with a bang, so as not to lose the readers interest.  Sometimes I prefer a slow start, to just saunter along with the writer and let him take me where he will.   This book put that idea to the test.  I couldn’t help thinking that superlative though this novel is, had it been written by an unpublished writer and submitted through the slush pile, that is, the unsolicited manuscripts that arrive at an editor’s office, it never would have made it into print.  But it did, and the world of literature is richer for it.

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My Favorite Fiction Books: The Runners-Up

Posted on February 26, 2011 by John Walters

A few weeks ago I posted a list of my five favorite fiction books.  They are:

1.  “The Lord of the Rings” by J.R.R. Tolkien

2.  “On the Road” by Jack Kerouac

3.  “Tropic of Cancer” by Henry Miller

4.  “Stranger in a Strange Land” by Robert A. Heinlein

5.  “Her Smoke Rose Up Forever” by James Tiptree, Jr.

At that time I promised to follow up with a list of books that did not make the top five but were among my favorite fiction books of all time.  The five books above I put more or less in order, but the books below are presented alphabetically to show that I don’t necessarily prefer one above another; all are unique in their own way.  So here’s the list:

“American Pastoral” by Philip Roth.  This devastating look at the American dream gone wrong is elegantly written, and once begun is very hard to put down.  The character known as “The Swede” has a seemingly flawless middle-class lifestyle and then things begin to unravel, exposing the ugly reality underneath.  The awards and accolades this book received were well-deserved.

“Fictions” by Jorge Luis Borges.  Borges is a master of the puzzle, the maze, the conundrum, and is also a virtuoso stylist.  This book is a compilation of several of his shorter fiction books.  They are presented chronologically, and from the beginning to the end the stories are marvelous.  Many of the best are fables of the surreal that leave contemporary fantasy writers in the dust.  It’s a wonderful book.

“Interpreter of Maladies” by Jhumpa Lahiri.  I had never heard of this writer when a librarian I knew pointed the book out to me and said she thought I might be interested in it.  And indeed I was.  The stories speak of the Bengali/American experience; they juxtapose the two cultures and accentuate the alienation and culture shock of moving from one to the other, but at the same time the characters are starkly human, real and emotional and empathetic.  Having lived in West Bengal myself, I was deeply sympathetic to the plight of the immigrants to America Lahiri describes and their difficulties in adjusting to such a profoundly different culture.

“Kim” by Rudyard Kipling.  Okay, okay, I’ve heard all the arguments about Kipling being an imperialist and so on, but all that does not detract from the fact that his masterpiece, “Kim”, is a terrific book.  It plunges you into the heart of the India of the late 1800s with such exquisite detail and description that you feel you are actually there.  I have traveled extensively in India and I relished the reading experience.  It is a book written by a man who knew and deeply loved the land and its people.  Some of Kipling’s other work I find dated and trivial by today’s standards, but this book is different.  It’s a terrific read and a great adventure.

“Matterhorn” by Karl Marlantes.  This is the newest, most recently written book on this list, and in fact I have written a review of it elsewhere on this website, but I wanted to include it here as one of my favorite books of all time because I had been searching for so long for a truly great work of fiction on the Vietnam War, and in this book I found it.

“The Old Man and the Sea” by Ernest Hemingway.  I could read this book over and over.  There’s not a word out of place.  It is precise and elegant and poetic and plain all at the same time.  The relationship between the old man and the boy is beautifully rendered, and at the end when the boy finds the exhausted old man sleeping in his hut and bursts into tears, invariably so do I.  It’s one of the most perfect stories I have ever read.  Its deceptive simplicity hides great depth.

“Phases of the Moon” by Robert Silverberg.  This is a collection of some of Silverberg’s best stories.  All of my favorites are here, like “Sundance” and “Passengers” and “Good News From the Vatican”.  To top it off, each story has an accompanying essay in which Silverberg writes about how he came to write it and what was happening in his life when he did.  Silverberg is a master of the science fiction short story, and the level of ingenuity and craftsmanship these stories display has seldom been equaled since.  

“The Road” by Cormac McCarthy.  In a post-apocalyptic landscape beset with cannibals a father and his son struggle to survive.  This short book, once begun, is very difficult to put down.  The language is both spare and poetic.  The relationship between the father and son is deeply touching.  McCarthy manages, in his prose, to create great beauty out of a situation beset with despair.  There is a movie based on the book which follows the basic plot quite closely, but though it is touching in parts it is a pale imitation.  Read the book.

“Zen and the Art of Motorcycle Maintenance” by Robert Pirsig.  This is another father and son story, this time of a motorcycle journey across the States.  On the way the father explores his personal study of philosophy and the thoughts that led to his nervous breakdown and recovery.  It alternates between the father/son story and a detailed description of various philosophical theories, but it manages somehow to make it all seem like a great intellectual adventure.

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Book Review: The Freelancer’s Survival Guide by Kristine Kathryn Rusch

Posted on February 21, 2011 by John Walters

I can’t remember how it happened or what led me to it, but by fortuitous chance I came across a blog called “Killing the Sacred Cows of Publishing” by Dean Wesley Smith.  Every few days a new post would appear, and it was fascinating reading.  It addressed a lot of what I had been wondering about concerning the state of modern publishing, and went beyond to things it had never occurred to me to wonder about.  Then from Smith’s blog I went to Rusch’s blog.  At the time “The Freelancer’s Survival Guide” (hereafter TFSG) was being offered for free on her website as soon as it was being completed.  Apart from whatever paper books I was reading these became my daily fare in the summer of 2010.  Almost every other day there was a new entry in one or the other, and along with the multitudes of comments they generated it turned into a detailed lesson on writing as a business.

However, I am primarily a reader of books I can hold in my hands.  I haven’t yet acquired an electronic reader.  Not that I am averse to it, but here in Greece the taxes on electronic downloads, as well as the fact that available content is only a fraction of what is available elsewhere makes it impractical.  Apart from that though, I like the feel of the book in my hands.  So as soon as TFSG became available in print I ordered a copy, and recently I re-read it and studied it at my leisure.

Rusch takes pains to explain in the Guide that it is intended not only for freelance writers and artists but for any small business owners, and that is certainly true.  There is a wealth of information available to anyone who wants to strike out on their own in business.  But it is as a writer I must address this advice.  After all, it is the only business I have ever wanted to become involved in.  And Rusch herself is also a writer, primarily of fiction, and though she gives examples of many different small business models it is inevitably to writing and publishing that she returns.  That is where her primary experience is, though it must be said that she has been involved in many small business undertakings, and has gotten a lot of advice from other freelancers in the writing of the guide.

Rusch presents the advice in TFSG in a casual, conversational style that I find very appealing.  It is almost as if you sat in her kitchen with a cup of coffee having a friendly chat.  Indeed, when the initial version of the Guide came out online Rusch welcomed comments, responded to them, and allowed the comments to shape the final version of the printed guide.

The Guide touches on many aspects of a freelancer’s life, such as when you know you’re ready to quit your day job, time and money management, negotiating, networking, risks and setbacks, how to deal with failure and success, and goals and dreams and staying positive through it all.  Every chapter is inspiring and illuminating and informative.  I don’t agree with all of her advice, but so what?  I certainly agree with most of it, and even that with which I disagree causes me to ponder whatever point she is making.

Overall I highly recommend this book.  It’s still available for free in chapters on her website, www.kriswrites.com (there is a donation button), but if like me you relish holding the physical book in your hands, or if you want to download it for your electronic reading device, it is available at Amazon as well as other online outlets.

To all you writers out there, aspiring or beginners or veterans, I can’t recommend this book enough.  It’s well worth the price of the purchase.  And be sure to check out Kris and Dean’s websites; every week they still publish cutting-edge essays on the current state of publishing and advice to writers.

One more thing:  for a long time I was a lurker; that is, I went to the sites to read but was too shy to say anything myself.  Then I began posting questions and comments and the response was always inviting, friendly, and helpful.  After each essay there is a lively discussion with well-informed people, many of whom are also professional writers.  So don’t miss the comments either; they are well worth the read.

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Reality Check

Posted on February 18, 2011 by John Walters

I set goals.

Maybe you do too; I don’t know.  A lot of people do and a lot of people don’t.  Most of the goals that I set for myself have to do with writing.

I have a full-time job here in Greece of teaching English as a second language.  I also treat my writing as a second full-time job.  Due to circumstances I have to give priority to the job that makes more money, which at the moment is the teaching.  I hope that situation will change in the future, but in the meantime I set goals that will help me realize the vision I have for my writing.

Some goals work, and some don’t.  A case in point:  I set a goal around the middle of January concerning how many stories I would like to write, as a minimum, during 2011.  The first story I finished, no problem, but the second has been a problem.  It’s not that the premise isn’t sound; the idea is dynamite.  The problem is that the story turned out to be much more complicated, and therefore longer, than I had thought it would be, and I don’t really have the time now to work on something long.  During the summer, maybe, but not now.  Too many things interrupt.  For example, I just got a note from an editor who is interested in one of my stories for an anthology; he requested a rewrite, and so I had to drop what I was doing and take care of that.  In addition, I am in the final stages of preparing the memoir of my time on the road for publication, and I have to work on that.  Then there are stories that have to be sent out due to deadlines in various markets.

It’s not that I don’t want to write; it’s just that I can’t get my mind on a long project right now.  So I am putting it aside.  I am not abandoning it.  I have often stopped stories half-finished and come back to them when the time is right, and they have turned out to be some of my best stories.  But if I continue to slog away half-heartedly at a story just to get the work count in, that story will be crap, and I don’t want to waste my time writing crap.  I want to write good stuff, spot-on stuff.

Sometimes, I have to admit, it’s hard to know the difference when you are in the midst of the fray.  I have persevered through some stories when I felt it wasn’t going well and when I came to the end I found out that they were just fine.

But other times, you have to pause, analyze the situation, and see if you are really following the right course of action, or if you should re-set goals and follow an even better path.  This is true not just in writing but in any worthwhile endeavor. 

That’s what I had to do recently:  reassess.

Postscript:

After writing the above, I did some of the business that had been pending:  I did the rewrite the editor had requested and sent it off, I wrote a blog post, I took care of some other things – and you know what?  I went back to that story I thought I would have to set aside renewed, and I was able to continue with it in joy and not with a sense of oppression.  The difference was attitude.  Before, I felt the burden of my self-imposed word count and the fact that I had so many other things to do and could not enjoy the task of the writing.  Afterwards, the burden was lifted and I realized that circumstances were not to blame – I was.  That story might get finished this month after all.

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