I’ve never read any of Sue Monk Kidd’s books before this one, but then again, she probably hasn’t read any of mine either. Be that as it may, I was drawn to Writing Creativity and Soul because I hoped that it would be more of a memoir than a self-help book for beginning writers.
And I was right – sort of. It’s true that to get to the parts that appealed to me I had to wade through some elementary dissertations on plot, characterization, and other basics that I studied decades ago, back in the seventies when I was a novice writer. However, there were enough deeper insights and observations to justify the treasure hunt. Kidd approaches her calling as a writer with sincerity and conviction – and always with a gentle, magnanimous touch. She writes of woman writers she admires such as Virginia Woolf and Eudora Welty and of the special courage that women in the past needed to overcome powerful misogynistic prejudices in the publishing world.
Regardless of one’s gender, though, Kidd points out that “every creative act is a revelation of the self, rendering us exposed, vulnerable, and unguarded.” If you want to write something worth reading, you have to strip away the pretences and cover-ups and internal subterfuges that we all set up to protect ourselves in an often hostile world. One method Kidd describes that accomplishes this is the experience of flow. She says: “I’m referring to the sense of personal fulfillment that comes from giving yourself over to something you feel you can belong to, setting a worthwhile and challenging goal, and then giving that goal your full attention, commitment, and energy.” This is something I have certainly found to be true in my long journey as a writer. Regardless of whether you ever attend any formal creative writing classes, you have to be all-in and hold back nothing.
Another concept Kidd discusses that touched me personally was the curative power of writing. She writes: “To interact with our sufferings and difficulties by translating them into language seems to offload some of the heaviness and lighten the mind, the spirit, even the body.” The chapter exploring this idea opens with her husband of forty-four years being diagnosed with cancer. She explains that writing about the cancer journey was cathartic for her and helped her to bear the otherwise overwhelming emotional burden. I can relate to this because I am in the midst of my own struggles with cancer, and it is indubitably true that writing about what I have been going through has assisted me in enduring the examinations, biopsies, surgery, radiation therapy, and uncertainties about the future.
Kidd states: “Writing has a private function that serves our personal wholeness and it has a public function that serves the wholeness of others.” You see? That’s what I’m talking about. It’s gems like this that make the reading of this book worthwhile. In the end, she speaks of “the common heart,” a concept developed by Ralph Waldo Emerson. This is “the place of our deep and shared belonging,” which writers and readers explore together through the language of story.
For the most part, Writing Creativity and Soul is a light read, but it nevertheless illuminates profound truths about the creative process.




































